Memoir
I'm still here : black dignity in a world made for whiteness
Austin Channing Brown
305.896 /Brown
Black Lives Matter, Memoir
The author's first encounter with a racialized America came at age seven, when her parents told her they named her Austin to deceive future employers into thinking she was a white man. She grew up in majority-white schools, organizations, and churches, and has spent her life navigating America's racial divide as a writer, a speaker, and an expert helping organizations practice genuine inclusion. While so many institutions claim to value diversity in their mission statements, many fall short of matching actions to words. Brown highlights how white middle-class evangelicalism has participated in the rise of racial hostility, and encourages the reader to confront apathy and recognize God's ongoing work in the world.
Sea state : a memoir
Tabitha Lasley
BIOGRAPHY Lasley, Tabitha
Literary Nonfiction, Nonfiction, Memoir, Adventure
"A stunning and brutally honest memoir that shines a light on what happens when female desire conflicts with a culture of masculinity in crisis In her midthirties and newly free from a terrible relationship, Tabitha Lasley quit her job at a London magazine, packed her bags, and poured her savings into a six-month lease on an apartment in Aberdeen, Scotland. She decided to make good on a long-deferred idea for a book about oil rigs and the men who work on them. Why oil rigs? She wanted to see what men were like with no women around. In Aberdeen, Tabitha became deeply entrenched in the world of roughnecks, a teeming subculture rich with brawls, hard labor, competition, and the deepest friendships imaginable. The longer she stayed, the more she found her presence had a destabilizing effect on the men--and her. Sea State is on the one hand a portrait of an overlooked industry: "offshore" is a way of life for generations of primarily working-class men and also a potent metaphor for those parts of life we keep at bay--class, masculinity, the transactions of desire, and the awful slipperiness of a ladder that could, if we tried hard enough, lead us to security. Sea State is on the other hand the story of a journalist whose professional distance from her subject becomes perilously thin. In Aberdeen, Tabitha gets high and dances with abandon, reliving her youth, when the music was good and the boys were bad. Twenty years on, there is Caden: a married rig worker who spends three weeks on and three weeks off. Alone and in an increasingly precarious state, Tabitha dives into their growing attraction. The relationship, reckless and explosive, will lay them both bare"--
This book is in my selection area, and I found my interest piqued each time I came across a review for it. It's one of those "under the radar" reads--worthy of "best of" rankings but not explosively viral like Educated or Atomic Habits. The author's narrative writing style allows a reader to (sea) breeze through the book. Read it if you're in the mood for a true story about living a life in search of something more. -Melody
Somebody's daughter : a memoir
Ashley C. Ford
BIOGRAPHY Ford, Ashley C.
Memoir
"One of the most prominent voices of her generation debuts with an extraordinarily powerful memoir: the story of a childhood defined by the ever looming absence of her incarcerated father and the path we must take to both honor and overcome our origins. For as long as she could remember, Ashley has put her father on a pedestal. Despite having only vague memories of seeing him face-to-face, she believes he's the only person in the entire world who understands her. She thinks she understands him too. He's sensitive like her, an artist, and maybe even just as afraid of the dark. She's certain that one day they'll be reunited again, and she'll finally feel complete. There are just a few problems: he's in prison, and she doesn't know what he did to end up there. Through poverty, puberty, and a fraught relationship with her mother, Ashley returns to her image of her father for hope and encouragement. She doesn't know how to deal with the incessant worries that keep her up at night, or how to handle the changes in her body that draw unwanted attention from men. In her search for unconditional love, Ashley begins dating a boy her mother hates; when the relationship turns sour, he assaults her. Still reeling from the rape, which she keeps secret from her family, Ashley finally finds out why her father is in prison. And that's where the story really begins. Somebody's Daughter steps into the world of growing up a poor Black girl, exploring how isolating and complex such a childhood can be. As Ashley battles her body and her environment, she provides a poignant coming-of-age recollection that speaks to finding the threads between who you are and what you were born into, and the complicated familial love that often binds them. 'Ashley Ford's prose is glass-so clear, sharp and smooth that the reader sees, in vivid focus, her complicated childhood, brilliant mind, and golden heart. The gravity and urgency of Somebody's Daughter anchored me to my chair and slowed my heartbeat-like no book has since Toni Morrison's The Bluest Eye. Ashley Ford is a writer for the ages, and Somebody's Daughter will be a book of the year.'-- Glennon Doyle, author of #1 New York Times bestseller Untamed and founder of Together Rising" --
This was such a raw, honest and hopeful book about making sense of our past to put our best selves forward into the future. I couldn't get enough of this book. -Victoria
We came, we saw, we left : a family gap year
Charles J. Wheelan
"Charlie Wheelan and his family do what others dream of: they take a year off to travel the world. This is their story. What would happen if you quit your life for a year? In a pre-COVID-19 world, the Wheelan family decided to find out; leaving behind work, school, and even the family dogs to travel the world on a modest budget. Equal parts "how-to" and "how-not-to"--and with an eye toward a world emerging from a pandemic--We Came, We Saw, We Left is the insightful and often hilarious account of one family's gap-year experiment. Wheelan paints a picture of adventure and connectivity, juggling themes of local politics, global economics, and family dynamics while exploring answers to questions like: How do you sneak out of a Peruvian town that has been barricaded by the local army? And where can you get treatment for a flesh-eating bacteria your daughter picked up two continents ago? From Colombia to Cambodia, We Came, We Saw, We Left chronicles nine months across six continents with three teenagers. What could go wrong?"--
In the middle of an Iowa winter, two years into a pandemic, during the week of Valentine's Day, what better to read than a funny, heartwarming, fascinating memoir of a middle-aged couple who spend a year traveling the world with three teenagers? Charles Wheelan brings a dry humor to his clear, concise descriptions of beautiful and surreal landscapes like the Bolivian salt flats and beaches of Zanzibar, as well as snafus like cleaning up his daughter's vomit with a bedsheet on a night train through India and getting lost in the Chilean jungle. He and his wife and their teenagers visit dozens of countries on a 9-month trip around the world with a strict, low-budget daily spending limit. Their adventures are so interesting and their experiences parenting teens so relatable you won't want this tale to end! -Anne W
Seek you : a journey through American loneliness
Kristen Radtke
155.92 Radtke
Science, Graphic Novels, Memoir
"When Kristen Radtke was in her twenties, she learned that, as her father was growing up, he would crawl onto his roof in rural Wisconsin and send signals out on his ham radio. Those CQ calls were his attempt to reach somebody--anybody--who would respond. In Seek You, Radtke uses this image as her jumping off point into a piercing exploration of loneliness and the ways in which we attempt to feel closer to one another. She looks at the very real current crisis of loneliness through the lenses of gender, violence, technology, and art. Ranging from the invention of the laugh-track to Instagram to Harry Harlow's experiments in which infant monkeys were given inanimate surrogate mothers, Radtke uncovers all she can about how we engage with friends, family, and strangers alike, and what happens--to us and to them--when we disengage."--
A great mixture of autobiographical and social science examination. I loved this unique graphic format and felt very relevant in the pandemic world with more isolation. -Mari
Winterdance : the fine madness of running the Iditarod
Gary Paulsen
Gary Paulsen is one of the authors who made me a reader, I know I am far from alone. I'm going back to this memoir as I remember loving it when I read it the first time. -Casey
Disability visibility : first-person stories from the Twenty-first century
305.908 /Disability
Memoir
"A groundbreaking collection of first-person writing on the joys and challenges of the modern disability experience: Disability Visibility brings together the voices of activists, authors, lawyers, politicians, artists, and everyday people whose daily lives are, in the words of playwright Neil Marcus, "an art . . . an ingenious way to live." According to the last census, one in five people in the United States lives with a disability. Some are visible, some are hidden--but all are underrepresented in media and popular culture. Now, just in time for the thirtieth anniversary of the Americans with Disabilities Act, activist Alice Wong brings together an urgent, galvanizing collection of personal essays by contemporary disabled writers. There is Harriet McBryde Johnson's "Unspeakable Conversations," which describes her famous debate with Princeton philosopher Peter Singer over her own personhood. There is columnist s. e. smith's celebratory review of a work of theater by disabled performers. There are original pieces by up-and-coming authors like Keah Brown and Haben Girma. There are blog posts, manifestos, eulogies, and testimonies to Congress. Taken together, this anthology gives a glimpse of the vast richness and complexity of the disabled experience, highlighting the passions, talents, and everyday lives of this community. It invites readers to question their own assumptions and understandings. It celebrates and documents disability culture in the now. It looks to the future and past with hope and love."--
Added by Beth
Watercress
Andrea Wang
jE Wang
Picture Books, Read Woke, Memoir
Embarrassed about gathering watercress from a roadside ditch, a girl learns to appreciate her Chinese heritage after learning why the plant is so important to her parents.
Inspired by Andrea Wang's upbringing in rural Ohio and illustrated by Jason Chin, Watercress is pertinent reading for all ages. Text and illustrations pair perfectly, elevating this story of hope shining through grief, and love overcoming loss, beyond solely a childhood audience. Great for sharing as a family or reading on your own. -Casey
Apple : skin to the core : a memoir in words and pictures
Eric L. Gansworth
BIOGRAPHY Gansworth, Eric L.
Read Woke, Memoir
"The term "Apple" is a slur in Native communities across the country. It's for someone supposedly "red on the outside, white on the inside." Eric Gansworth is telling his story in Apple (Skin to the Core). The story of his family, of Onondaga among Tuscaroras, of Native folks everywhere. From the horrible legacy of the government boarding schools, to a boy watching his siblings leave and return and leave again, to a young man fighting to be an artist who balances multiple worlds. Eric shatters that slur and reclaims it in verse and prose and imagery that truly lives up to the word heartbreaking." -- Inside front jacket flap.
A heartbreaking, poignant, and fascinating look into the world of Eric Gansworth, an Onondaga and his Native American experiences in the United States.. -Victoria
Time is the thing a body moves through
T. Fleischmann
BIOGRAPHY Fleischmann, T.
Nonfiction, Memoir, LGBTQ+
"Sebald meets Maggie Nelson in this autobiographical narrative of embodiment, visual art, history, and loss. How do the bodies we inhabit affect our relationship with art? How does art affect our relationship to our bodies? T Fleischmann uses Felix Gonzáles-Torres's artworks--piles of candy, stacks of paper, puzzles--as a path through questions of love and loss, violence and rejuvenation, gender and sexuality. From the back porches of Buffalo, to the galleries of New York and L.A., to farmhouses of rural Tennessee, the artworks act as still points, sites for reflection situated in lived experience. Fleischmann combines serious engagement with warmth and clarity of prose, reveling in the experiences and pleasures of art and the body, identity and community."--
Added by Melody
Austin Channing Brown provides an enlightening view of what life in America is like for a black woman. Her account is humbling, informative, and inspiring. -Mykle