Anne M

The book, set in 1918 Nova Scotia, are the journals of Toby Havenshaw, a court reporter who is assigned to cover a murder case. The accused, Elizabeth Frame, allegedly and admittedly murders her husband on their wedding night after he refuses to come to the window to see a beached whale. Elizabeth’s story gets pretty odd and as the story progresses and Toby uncovers more and more about the case, things start to shift for Toby. He feels the magnitude of the change of time—World War I, the Spanish flu, this murder—it is all catching up with him. And Amelia, Toby’s wife, a surgeon, is back from the front—working through her own fears and terrors. I think living during a time of immense change (I guess who hasn’t lived through immense change…), you feel an affinity with Toby and Amelia. This is one of those small, but mighty books. -Anne M

I was in need of a good story and Tidelands fit the bill. Gregory always writes good characters and dialogue and knows her historical settings. You feel thrown in the moments on the page. -Anne M

Set in 1894 Minneapolis, the backdrop is a new city, teeming with possibilities--and every vice that comes with that. Abby, a progressive crusader and treasurer of the Bethany House for Unwed Mothers is desperately trying to solicit donations and lobby city leaders to support the work of the respite home. She needs to shore up their reputation as their work might not have the support of the incoming mayoral administration. And then Faith shows up. Newly pregnant, unable to speak, wearing an expensive gown, and looking as if she survived a serious act of violence, Faith is welcomed into the house’s community. But she comes with rumors—rumors of the occult, of magic powers, of mesmerism and she is quickly blamed by the other girls in the house for any small misfortune. Abby wants to help the girl—that is her prerogative and the purpose of the Bethany Home. But she also doesn’t want Faith’s reputation to be a blight on their tenuous stance in Minneapolis. She tasks May, Faith’s roommate to figure out how Faith got to Bethany. The answer is far more human than supernatural. -Anne M

Ellery Wainwright is trying to get away from her mess of her life by taking the vacation to a resort in Big Sur she originally planned to take with her now ex-husband to celebrate their 20th wedding anniversary they never made it to. She knows that this isn't going to be a great vacation--but better her on her own than her ex with his new girlfriend. Unfortunately, there is a wedding also scheduled for this same weekend. But Ellery doesn't get too much time to fester in her self-loathing and unhappiness--the groom is murdered. And there is a storm cutting off access to a resort. Anyone could be the murderer and anyone could be their next victim. Super fun read! -Anne M

I feel like I’m reading a lot of fiction that takes on how to find meaning. These books begin with a divorce or a job loss or the death of a family member and the protagonist is trying to make sense of themselves now that their vision of who they are is no longer reality. “Creation Lake” is also about meaning, but “Sadie,” our narrator, is never who she is at any given moment. There is no sense of self—no past sense—no future self-aspirations. She is a spy that works for some multinational corporation or the like and she is who her alias is: someone who doesn’t really exist. This time she is infiltrating a rural French group opposed to corporate industrial agriculture and European Union trade agricultural regulations. It is just a job, one that involves building relationships, playing a part, instigating actions, and hacking emails. It’s this last task that moves Sadie to question herself for among the emails are missives from Bruno Lacombe, a hero of this group cooperative, who lives in caves and writes eloquently about the loss of things that make us human (I cannot detail the entire essence of his philosophy—you’ll have to read it). Sadie is so strong in her facade and skeptical of pretty much everything—does she even want meaning? This is a really compelling book. -Anne M

Both affecting and funny, Catherine Newman deftly portrays how nostalgia may bring up those lovely, wistful feelings--but these can also lead to thinking about old wounds. Vacations sometimes brings up all these thoughts. -Anne M

I loved this book. It is so sweet, and endearing, and funny, and relatable. I have talked about this book to anyone who will listen to me. The premise is sad and serious. But it is what comes next that’s the gift—to Phoebe Stone, our heroine, to the other characters she builds relationships with, and to us the reader. Espach has a fantastic way of showing absurdity and awkwardness, but the laughter at these situations is meant to grow connections to the characters. [In this book, Phoebe experiences suicidal thoughts and she learns that she isn't alone in grief. If you or someone you know is experiencing thoughts of suicide, help is available by calling or texting 988.] -Anne M

After inheriting some land in Sicily from her great aunt, Sara Marsala travels to the island to get the land sold—money she really needs after the closure of her business and a devastating divorce. This is just a real estate transaction, but of course, it isn’t. For one, it’s Sicily, not Pennsylvania—the laws are different. And there are dangerous people in the village that don’t recognize her ownership. And there is the rich history of the land, how her Aunt Ruthie—and her great-grandmother came into the parcel in the first place. Sara Marsala is now on an adventure. The Sicilian Inheritance is one of those books that keeps you hooked to find out what happens next. -Anne M

Kristy Harvey's books are always sugary--like a Southern ice tea. If you want a book to end all wrapped up with a nice bow where everyone finds love, happiness, and their problems resolved, you can't go wrong with this book or with any Harvey's others. This one takes on family histories revolving around a centuries-old family beach house on the coast of North Carolina. The house has been shut up for decades after the tragic deaths of Keaton's grandparents--a tragedy that stung so hard, no one can bare to face the house and its contents. Keaton arrives to get the house ready to sell on behalf of her mother and uncle--it's time to let go. Of course it isn't time to let go, not when Keaton finds journals from her grandparents and meets with her grandmother's friends, uncovering their lives and what they meant to the community. And it becomes harder to let the house go up for sale when she's sort of following for the neighbor... I really loved the description of the rooms stuck in the mid-1970's. -Anne M

In Valérie Perrin’s “Forgotten on Sunday,” Justine Neige, a 21-year old aide at a nursing home hardly knows anything about her family’s history. Raised by her grandparents (her mother and father died in a car crash), they never liked to talk about the past. If Justine doesn’t have a history, the residents of the nursing home help fill the gap. She loves to listen to their stories, reveling in their adventures, their past loves, and their careers. She is especially taken by Hélène Hel, who reveals that her lover disappeared sometime during World War II. Justine begins to record Hélène’s story, but in learning about regret and loss, she finds inspiration to confront what really happened to her parents. As always, Perrin surprises in her explorations of buried family secrets. -Anne M

The audio collaboration of author Amor Towles and narrators Edoardo Ballerini and J. Smith-Cameron is perfect. -Anne M

In Sarah Perry’s “Enlightenment,” the past is a circle. In her latest novel, we meet Thomas Hart and Grace Macaulay. Steeped in a shared unshakeable faith, they both don’t belong to their small English village or their small Baptist church—or at least they don’t feel that way. While the decades that span between their ages makes their friendship unlikely, they bond through turning their eyes to the past, and more importantly the cosmos. It’s 1997 and Hart, a newspaper columnist for the “Essex Chronicle,” is told by his editor to write about Hale-Bopp, the great comet visible to the eye that year. This assignment leads Hart down a rabbit hole. He develops a new love of physics, and more importantly, an obsession with a local astronomer who vanished a century before. This need to solve the mystery of Maria Vaduva alters the course of thirty years (or was this always the course?), stretching and straining the relationship of Thomas and Grace—two people in orbit. You can argue with yourself about what is the gravitational pull. It is a splendid book. -Anne M

Looking for an action-packed read that will keep you turning the pages? Look no further. -Anne M

Colombe Schneck is dabbling with biographical fiction here—each novella (there are three) from a different stage in her life (?) or her alter-ego's life (?). I’m not going to speculate on how closely these events follow Schneck’s life—because the focus should be on how good these stories are. In the first story, she discusses the shock of an unplanned pregnancy. The second story explores a lifelong friendship, grappling with the loss of a friend and how formative a friend’s influence can be. Schneck really shows how a single friendship can ebb and flow, change, and move throughout a lifetime. The last story is about having an affair after ending a marriage--the adjustment, excitement, and anxiety of starting a new romance. The overarching theme is growth and self-awareness and Schneck works with this theme through subtlety in language and narrative. But she is also direct in how she discusses complex issues, which is refreshing. This is the first time Schneck’s work has been translated into English—and I guess there is more to come. -Anne M

I really enjoyed this book. Of course, I would--it's set during World War I. I’m intrigued by this time period: the world was going through such drastic changes. Arden explores this “brave new world” theme well. This book is pretty clever, but it is also riveting. -Anne M

While I'm writing this in April of 2024, I can attest that "James" is one of the best books of the year. It doesn't matter that there are eight more months of books coming out in 2024. It's very good. As a book, it is smart and funny, yet tragic where it needs to be. It is an homage to Twain, yet stands on its own. -Anne M

Ilium is a spy novel, but calling it a spy novel is misleading. Yes, our main character is a spy, albeit accidental. And although there is action, it is a very slow burn to get to the action part. But I liked it. The novel is a revelatory one, much more interested in our main character (her past, how she got her, what motivates her) than the CIA ops. That is far more interesting to me than any street chase. -Anne M

Lincoln was a gifted politician. In Steve Inskeep's latest, he explores how Lincoln navigated arguing with, persuading, and standing up to the many different people he disagreed with during his political career, from people in his own party, to people he agreed with morally, but disagreed on methods, to those he didn't want anything to do with, but needed their votes to achieve his ends. Inskeep's engaging book holds lessons for our politically fractured times. -Anne M

There is something reminiscent of Dickens, Hardy, and Bronte in this novel, but the sentiments are all modern. Livesey skillfully illustrates how one's desires shift and change. You never truly sure if what you want or what is best--but there are those moments you do. I really enjoyed this book. -Anne M

“Held” is a little like a literary puzzle. The narrative is organized in generational fragments; but “organized” isn’t quite the right word. Each chapter is connected with the others by a thread—a child, a grandchild, a spouse, a mother--advancing or in some cases, retreating through the 20th century. Each chapter gives you a little more understanding of the family as a whole. It is fitting that we are first introduced to a photographer, John, just back from the trenches in 1917 to find that his photographs contain the ghosts of his subjects. It’s a little like a metaphor for how this book develops. Anne Michaels’s prose shimmers. -Anne M

I’m resolved to read anything that Claire Keegan publishes. “Foster” and “Small Things Like These” made such an impression. “So Late in the Day” is comprised of three short stories on a theme: men and women together. Whether in a long-term relationship or an impromptu meeting or as a tryst, none of it goes well. There is resentment, judgement, anger, fear, and in one story, violence. These are themes Keegan explores well. Keegan stays concise and compact in her writing, but wow, is able to build so much tension. -Anne M

This is a pretty fun read. It involves mistaken identify, a fraudulent claimant, and a slow burn of an unsolved mystery. Of course there is a British manor and the slow decay of an aristocratic family. And there is a lot of talk about horses. Tey is so good at pulling you around as a reader in where your sympathies lie and in your belief in what happened. It is clear why this is a classic. -Anne M

This tiny but mighty novel was praised for its sparse language, making every word matter. While the words are precise, Koh created a saga here. Spanning three generations, four generations of a Korean family grapple with the past (both their own and their country's)--showing that our ties aren't always severed when we cross an ocean. -Anne M

Segal's collection of stories are both poignant and funny, capturing the fullness of feelings as her characters come to terms with living in their twilight years. Of course, Segal is a great author, but rarely do we see the work of an author in their nineties. There is something special here. -Anne M

Christmas is just a convenient time of year for this super fun mystery. If you like moldering British manors and everything being not as it seems, this quick novella will not disappoint. -Anne M

Zadie Smith is swinging for Dickens with this novel. There are some glimpses of brilliancy here: the humor, the cast of characters, and the atmosphere Smith creates showing the crushing nature of Victorian society. -Anne M

While this novel centers around Carmel and her daughter Nell, the elephant in the room for both characters is Phil, Carmel's father and Nell's grandfather--Irish poet and national treasure. It's about the poetry--the beauty and the heartbreak in the meanings behind those words. Carmel tries to reckon with them, while Nell is trying to discover and find connection. What we inherit can be so different. -Anne M

Saying that Kate Atkinson's new book is a collection of short stories is a little misleading. While they could all stand on their own, the stories make more sense in how they are connected—how they call back and reference each other. And the connections are surprising and pretty fun. We have Atkinson's crime fiction, but also nods to fantasy and science fiction. As always, Atkinson brings her sardonic wit. -Anne M

Longlisted for the National Book Award, Jayne Anne Phillips’ “The Night Watch” is a compelling narrative about one West Virginia family and how the Civil War broke them apart. Phillips lands the reader first in the middle of the foray on a plodding carriage ride to deliver ConaLee and her mother to the Trans-Allegheny Lunatic Asylum. ConaLee's mother hasn't spoken for years, and the man she calls Papa is done. He hands over the younger children to some neighbors, packs up the house, and commits his wife, demanding ConaLee report as her companion and nurse. Phillips pushes and pulls us through the Civil War, how we got to the asylum door, and then moves us onto the consequences, the truths revealed. There were parts of this story that were immersive; the text made my heart race. It is a great read, albeit brutal. -Anne M

I really enjoy Daniel Mason’s writing. I loved The Winter Soldier. (Now that I think of it, I should read that one again. It’s so good!) But Mason really surprised me with this book. It is refreshing, funny, and a little chaotic. It follows the history of a single piece of land in the woods of western Massachusetts from first contact into the future. It’s the story of the land, the animals that live there, and the house that stands on it and how they change with each generation, but also how each generation is influenced by the land and the house. It is full of these beautiful connections woven throughout the generations—sometimes in completely unexpected ways. One of my favorite parts of the novel are the ghostly ballads written by two twin sisters that are used as interludes between chapters. Yes, this novel is ambitious. And Mason succeeds. -Anne M

A lot of “pandemic novels” are coming out right now—at least narratives inspired by or written during the pandemic and everything that happened within that time. They provide a window into what authors were thinking about, working through, or grappling with during the height of the pandemic. Lauren Groff’s thinking was pretty bleak. Her thoughts turned to the “Starving Time” of Jamestown: crops failed, disease flourished, and those that survived ate everything. The narrative centers on a white servant girl, who is called many different names in her short life, and her decision to run away from the colonial settlement and strike out on her own in hopes of finding the French. She is hungry and afraid in the settlement and what is unknown to her beyond the palisade holds better chances for survival. The story follows her during those first few weeks with glimpses into how she found herself on this side of the Atlantic. This survival novel is engrossing, and it takes on quite a few subjects: colonization, land use, 17th century religion, and the oppressively hierarchical structure of English society. But also, what does it mean to be human when you are alone? What does real survival mean? Groff left me with more questions than answers, but good novelists do that. -Anne M

First and foremost, I enjoyed reading “The Invisible Hour.” It was the right book at the right time for me. I needed something fast-paced and light and compelling and fun. But it was also silly and sort of ludicrous. I liked it and I hated it. That is how some books are. I haven’t read Alice Hoffman before, but I will pick up any book about modern-day Puritanical societies hidden in the wilds of Western Massachusetts. And the novel is about the love of reading, which resonates with me. “The Invisible Hour” is about Mia, a young girl, living in a restrictive collective community who discovers books and through those books finds herself and learns about the outside world. The book that changes her life is “The Scarlett Letter.” She escapes the collective, finds kindred spirits (and they are librarians!) that help her get on her feet, and rereads Hawthorne. I like Nathaniel Hawthorne. Puritan guilt is something I relate to and he explores that quite frequently in his fiction. He is moody and dark and great with imagery. “The House of the Seven Gables” is one of my favorites. All of this works for me. But then Mia falls in love and that is where the book goes off the rails. This book turns suddenly to have elements of “Back to the Future” mixed with “Outlander,” but with Nathaniel Hawthorne, which was weird to read. I guess you could say that Hoffman is exploring the relationship between author and reader, its intimacies, and power. Overall, it was fun. -Anne M

I really found this novel captivating. Told from many different points of view, the novel centers on Beatrix, who is sent to the United States as part of a program to evacuate children from London during the Blitz. We hear from her parents as they wring their hands on sending her away, the family in Boston who take her in, and of course, Bea herself. Bea grows up in America, comes of age, and has hopes, triumphs, as well as disappointments. But she has to go back. This is one of those novels that you are unsure what the right course is: does she belong in London or in Boston? What does Bea want? This evacuation has consequences that reverberate through her life and the lives of her family, both paternal and found. -Anne M

I read a lot of fiction set during World War II. If you like historical fiction, the period is pretty unavoidable. I have never read anything quite like this take on the Blitz. Normally the Brits muddle through this experience in novels (stiff upper lip and all that). They go to work. They meet with friends. They put up their black out curtains. But Jo Baker tosses this narrative right out with this novel. Yes, the main character Charlotte goes to work, meets with friends, and puts up her black out curtains. But she experiences significant psychological distress. She isn't sleeping (who could when the neighborhood is bombed every night?). Her friends and neighbors are dying. And she isn't quite sure her ministry typing job is amounting to any help at all. She starts questioning a great deal and also believes she is being followed--catching the eye of her estranged family. Is it madness or is the Blitz covering for something menacing out there? -Anne M

To cut to the chase, I couldn't put this novel down. It is a research mystery about a family past, which I loved. It is also beautifully written. It is also a novel rooted in truth. There really was a postcard and it was really sent to Anne Berest's mother. And Anne Berest and her mother did conduct this family research. But the fictionalized elements fill in the gap of the history that was erased--the stories of Berest's great-grandparents and great aunt and uncle could not pass down. Their memories were extinguished at Auschwitz If you appreciate the role that novels play in showing you something, "The Postcard" is the novel that encapsulates the idea of inherited trauma. -Anne M

The best word to describe "Salvage this World" is transporting. Michael Farris Smith delivers "sense of place" as he takes you to the Mississippi Delta borderland between Louisiana and Mississippi. This Southern Gothic tale will appeals to fans of S. A. Cosby or True Detective. -Anne M